![]() et là des débris de peintures d'une obscénité monstrueuse et qui me donnent une bien singulière idée de la gravité et de la sagesse égyptienne." ^ The quote in the original French: "Ici un morceau du rituel funéraire.Cambridge, Massachusetts: Harvard University Press. Abingdon-on-Thames, England: Psychology Press. ^ a b c d " Erotic papyrus of Turin."." Sexual life in Pharaonic Egypt: towards a urological view." International Journal of Impotence Research (2004) 16, 385–388. Archaeology Odyssey, September–October, 2001 ^ a b c d e f g h David O'Connor Eros in Egypt.Indeed, the apparent continuation between the animal section and the so-called "erotic" section suggests that the papyrus was intended to amuse members of the aristocracy by portraying absurd transgressions of aristocratic standards of behaviour. Īccording to French egyptologist Pascal Vernus, the papyrus is not intended to produce sexual excitement. come behind me with your love, Oh! Sun, you have found out my heart, it is agreeable work. The text appears to have been hastily written in the margins and would seem to express enjoyment and delight: The real significance of the images is yet unknown since those fragments of text that have survived reasonably intact have so far not yielded any clear purpose for the Erotic Papyrus. After Jean-François Champollion saw the papyrus in 1824 in Turin, he described it as "an image of monstrous obscenity that gave me a really strange impression about Egyptian wisdom and composure." Purpose Modern audiences often misconceive that ancient Egyptian art is devoid of sexual themes. The severely damaged Erotic Papyrus is the only known erotic scroll-painting to have survived. The various male images have also been interpreted as a single protagonist, who has several encounters with a courtesan. Depictions of sexual intercourse were not part of the general repertory of ancient Egyptian formal art, but rudimentary sketches of heterosexual intercourse have been found on pottery fragments and in graffiti. No other similar scrolls have yet been discovered. Its high artistic quality indicates that it was produced for a wealthy audience. ![]() The scroll was probably painted in the Ramesside period (1292-1075 BC). ![]() The women are nubile, and they are shown with objects from traditional erotic iconography, such as convolvulus leaves and, in some scenes, they are even holding items traditionally associated with Hathor, the goddess of love, such as lotus flowers, monkeys, and sistra. The men in the illustrations are "scruffy, balding, short, and paunchy" with exaggeratedly large genitalia and do not conform to Egyptian standards of physical attractiveness. #EROTIC PAPYRUS SERIES#The final two thirds of Turin Erotic Papyrus consist of a series of twelve vignettes showing men and women in various sexual positions. This part of the scroll-painting has been described as satirical and humorous. The first third depicts animals performing various human tasks. ![]()
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